{"id":169174,"date":"2021-02-18T07:00:42","date_gmt":"2021-02-18T12:00:42","guid":{"rendered":"https:\/\/today.uconn.edu\/?p=169174"},"modified":"2021-02-16T16:33:16","modified_gmt":"2021-02-16T21:33:16","slug":"tennessee-williams-shakespeare-highlight-virtual-crt-spring-season","status":"publish","type":"post","link":"https:\/\/today.uconn.edu\/2021\/02\/tennessee-williams-shakespeare-highlight-virtual-crt-spring-season\/","title":{"rendered":"Tennessee Williams, Shakespeare Highlight Virtual CRT Spring Season"},"content":{"rendered":"\r\n<p class=\"wp-block-paragraph\">The Connecticut Repertory Theatre\u2019s 2021 virtual spring season will feature three one-act plays by Tennessee Williams, one of America\u2019s foremost 20th century playwrights, and two productions by William Shakespeare. <br \/><br \/>Williams\u2019 \u201cTalk to Me Like the Rain and Let Me Listen,\u201d which premiered in Westport in 1958, opens the season with a run from Thursday, Feb. 18 through Sunday, Feb. 21, followed by \u201cThis Property is Condemned\u201d from March 18-21, with \u201cAnd Tell Sad Stories of the Death of Queens\u201d from April 22-25. Dexter Singleton, visiting assistant professor of performance, is director for the three plays, all performed by student actors.<br \/><br \/>Shakespeare\u2019s \u201cPericles, Prince of Tyre,\u201d set to run Thursday, Feb. 25 through Sunday, March 7, is directed by Raphael Massie of the Oregon Shakespeare Festival. \u201cAntigone,\u201d from April 2-11, is directed by Gary English, Board of Trustees Distinguished Professor of Theatre Studies.<\/p>\r\n<p>\u201cYou can&#8217;t help but be inspired or motivated by the work of Tennessee Williams. It&#8217;s just so deeply embedded in the American theater canon,\u201d says Singleton, founding executive artistic director of Collective Consciousness Theatre in New Haven. \u201cAll of us have performed it, seen it, studied it. It&#8217;s been a part of my life as an artist since the beginning of my professional career.\u201d<br \/><br \/>The 1945 Broadway production of \u201cThe Glass Menagerie\u201d brought Williams fame, followed by successful runs of \u201cA Streetcar Named Desire,\u201d \u201cCat on a Hot Tin Roof,\u201d \u201cSweet Bird of Youth,\u201d and \u201cThe Night of the Iguana.\u201d His work often deals with themes of loneliness, poverty, and people&#8217;s need to find companionship or friendship. \u201cTalk to Me\u201d focuses on a man and a woman linked by their poverty. In \u201cThis Property,\u201d a girl relates the story of her dead sister to a boy she meets. \u201cSad Stories\u201d is about the private life of an interior director who is also a drag performer. <br \/><br \/>Singleton says directing virtual theatrical productions over the past year has provided the opportunity to develop new ways to engage audiences with works such as those in the Williams catalog that are filled with emotion and intimacy.<\/p>\r\n<p>\u201cI\u2019m coming in with a lot of trial and error from previous Zoom productions I\u2019ve done in terms of how to engage the audience using this medium and use other elements to be able to enhance it and continue to challenge myself to do different and new things,\u201d he says. \u201cI try to do things with the Zoom medium that employs theater as well as cinema. It is not theater. It is not television. It is not movies. It&#8217;s sort of a combination between all three of those. Some people call it its own medium.\u201d<\/p>\r\n<figure id=\"attachment_169266\" aria-describedby=\"caption-attachment-169266\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img decoding=\"async\" class=\"size-medium wp-image-169266 img-responsive lazyload\" data-src=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2021\/02\/PERICLES-IMAGE-300x169.png\" alt=\"The cast of the Connecticut Repertory Theatre production of Shakespeare's &quot;Pericles&quot; rehearsing via Zoom.\" width=\"300\" height=\"169\" data-srcset=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2021\/02\/PERICLES-IMAGE-300x169.png 300w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2021\/02\/PERICLES-IMAGE-1024x576.png 1024w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2021\/02\/PERICLES-IMAGE-768x432.png 768w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2021\/02\/PERICLES-IMAGE-1536x864.png 1536w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2021\/02\/PERICLES-IMAGE-630x354.png 630w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2021\/02\/PERICLES-IMAGE-1182x665.png 1182w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2021\/02\/PERICLES-IMAGE.png 1683w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/169;\" \/><figcaption id=\"caption-attachment-169266\" class=\"wp-caption-text\">The cast of the Connecticut Repertory Theatre production of \u201cPericles, Prince of Tyre,\u201d which will be performed virtually from Feb. 25-March 7. Clockwise from top left: Alex Kosciuszek \u201922 SFA, Damian Thompson (AEA), Abigail Hilditch \u201922 SFA and Jamie Feidner \u201922 SFA.<\/figcaption><\/figure>\r\n<p>He notes another important element for the Williams series is having cast student actors who are \u201copen enough to understand what it&#8217;s like for a character to go through extreme loneliness and the decisions that people make when they feel like they don&#8217;t have other options.\u201d Two of the actors, Colin Kinnick \u201922 (SFA) and Andre Chan, an MFA student, each appear in the first two productions separately and then perform together in the third. <br \/><br \/>\u201cWe&#8217;re developing that language between us in these earlier shows that will be super beneficial later on, because like any director who has actors they love working with, you get to a point where you have that common language; you don&#8217;t need to say much,\u201d Singleton says. \u201cI think it is a big challenge, and one that actors enjoy, to be able to play various roles within a series of one acts or within a production.\u201d<\/p>\r\n<p>The director says CRT audiences are accustomed to seeing the development of student actors as they perform throughout their time at UConn, whether as undergraduate students or in the Master of Fine Arts program.<\/p>\r\n<p>\u201cYou&#8217;re really seeing a company of actors and their progression,\u201d he says. \u201cWe hope that based on their talent and abilities that you are potentially seeing the next person who&#8217;s going to be a star on Saturday Night Live or the next actor who&#8217;s going to be on Broadway. Our department has a history of having actors from this program go on to have successful careers in TV, film, and theater.\u201d<br \/><br \/>The cast for \u201cTalk to Me Like the Rain and Let Me Listen\u201d includes Kinnick as the Man and Casey Wortham, an MFA student, as the Woman. There will be a talkback following each performance throughout the series. <br \/><br \/>Ticket holders for all shows will receive a link via email 24 hours prior to the performance. For more information, visit <a href=\"https:\/\/crt.uconn.edu\/Online\/default.asp\">the CRT website<\/a> or call 860-486-2113.<\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Student actors will interpret the work of the famous playwrights in the new and challenging medium of Zoom theater. <\/p>\n","protected":false},"author":18,"featured_media":169267,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","wds_primary_category":0,"wds_primary_series":0,"wds_primary_attribution":0,"footnotes":""},"categories":[1711,2235,2225],"tags":[2069],"magazine-issues":[],"coauthors":[1918],"class_list":["post-169174","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-culture","category-today-homepage","category-uconn-storrs","tag-arts"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-26 02:46:51","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/posts\/169174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/comments?post=169174"}],"version-history":[{"count":4,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/posts\/169174\/revisions"}],"predecessor-version":[{"id":169268,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/posts\/169174\/revisions\/169268"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/media\/169267"}],"wp:attachment":[{"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/media?parent=169174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/categories?post=169174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/tags?post=169174"},{"taxonomy":"magazine-issue","embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/magazine-issues?post=169174"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/coauthors?post=169174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}