{"id":83985,"date":"2013-09-27T09:54:48","date_gmt":"2013-09-27T13:54:48","guid":{"rendered":"https:\/\/today.uconn.edu\/?p=83985"},"modified":"2015-10-02T14:09:55","modified_gmt":"2015-10-02T18:09:55","slug":"uncanny-exhibit-result-of-unusual-collaboration","status":"publish","type":"post","link":"https:\/\/today.uconn.edu\/2013\/09\/uncanny-exhibit-result-of-unusual-collaboration\/","title":{"rendered":"\u2018UNCANNY\u2019 Exhibit Result of Unusual Collaboration"},"content":{"rendered":"<figure id=\"attachment_83927\" aria-describedby=\"caption-attachment-83927\" style=\"width: 211px\" class=\"wp-caption alignright\"><a href=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-FatherandSon.jpg\"><img decoding=\"async\" class=\"size-full wp-image-83927  img-responsive lazyload\" data-src=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-FatherandSon.jpg\" alt=\"Uncanny: Father and Son, Angela Strassheim, 2004\" width=\"211\" height=\"309\" data-srcset=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-FatherandSon-288x420.jpg 288w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-FatherandSon-68x100.jpg 68w\" data-sizes=\"(max-width: 211px) 100vw, 211px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 211px; --smush-placeholder-aspect-ratio: 211\/309;\" \/><\/a><figcaption id=\"caption-attachment-83927\" class=\"wp-caption-text\">Uncanny: Father and Son, Angela Strassheim, 2004<\/figcaption><\/figure>\n<p>How the current Contemporary Art Galleries exhibition titled \u201cUNCANNY\u201d developed is a bit unusual, but not a strange or unexpected tale.<\/p>\n<p>The multimedia exhibition, which continues through Oct. 25, marks a collaborative effort for Barry Rosenberg, director of CAG and associate professor of art, who developed the show with Micah Sizemore \u201913 MA, his former graduate student assistant. It is the first time Rosenberg has collaborated with a student on curating a show.<\/p>\n<p>In fulfilling the final project required for a graduate class in curatorial practice taught by Rosenberg and Anne D\u2019Alleva, associate professor of art and women\u2019s studies, Sizemore recalled a thesis she had written about \u201ccreepy art\u201d based on Sigmund Freud\u2019s essay \u201cThe Uncanny.\u201d The essay describes the psychology of seeing something familiar in an unexpected place.<\/p>\n<figure id=\"attachment_83928\" aria-describedby=\"caption-attachment-83928\" style=\"width: 175px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-TonyMatelli.jpg\"><img decoding=\"async\" class=\"size-full wp-image-83928 img-responsive lazyload\" data-src=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-TonyMatelli.jpg\" alt=\"Uncanny: Sleepwalker, Tony Matelli, 1998\" width=\"175\" height=\"227\" data-srcset=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-TonyMatelli.jpg 385w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-TonyMatelli-231x300.jpg 231w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-TonyMatelli-323x420.jpg 323w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-TonyMatelli-77x100.jpg 77w\" data-sizes=\"(max-width: 175px) 100vw, 175px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 175px; --smush-placeholder-aspect-ratio: 175\/227;\" \/><\/a><figcaption id=\"caption-attachment-83928\" class=\"wp-caption-text\">Uncanny: Sleepwalker, Tony Matelli, 1998<\/figcaption><\/figure>\n<p>\u201cI was always interested in the grotesque and the ways art can make people feel uncomfortable,\u201d says Sizemore, who is now pursuing an advanced degree in library science to explore a career as an art librarian. \u201cWhen I took the curatorial seminar, I came to this idea by accident, when I stumbled on the work of Lu Cong. There is a passage in Freud\u2019s essay where he describes a piece of literature about a young man who falls in love with what he thinks is a human girl, but she turns out to be a doll. The eerie hyper-realism of Lu Cong\u2019s work just clicks with this passage. I realized that the \u2018uncanny\u2019 would be a great angle for a curatorial proposal. Barry liked it.\u201d<\/p>\n<p>The final project required graduate students in the master of fine art and studio art programs to develop a proposal for an art exhibition based on their experience visiting art galleries, private collections, and art fairs to view a wide range of work, preparing the wall labels explaining each work to gallery visitors and learning about the business of art.<\/p>\n<p>Rosenberg was thinking about curating a new exhibition based on some of the art he had seen during various gallery visits he had been making in New York City and in the region.<\/p>\n<figure id=\"attachment_83929\" aria-describedby=\"caption-attachment-83929\" style=\"width: 531px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-WaitingGirl.jpg\"><img decoding=\"async\" class=\"size-full wp-image-83929  img-responsive lazyload\" data-src=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-WaitingGirl.jpg\" alt=\"Uncanny: The Waiting Girl, Loretta Lux, 2006\" width=\"531\" height=\"354\" data-srcset=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-WaitingGirl.jpg 630w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-WaitingGirl-300x200.jpg 300w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-WaitingGirl-150x100.jpg 150w\" data-sizes=\"(max-width: 531px) 100vw, 531px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 531px; --smush-placeholder-aspect-ratio: 531\/354;\" \/><\/a><figcaption id=\"caption-attachment-83929\" class=\"wp-caption-text\">Uncanny: The Waiting Girl, Loretta Lux, 2006<\/figcaption><\/figure>\n<p>\u201cIt wasn\u2019t that far off with Micah\u2019s idea, in that it had to do with some pieces I was interested in. When I read Micah\u2019s proposal I thought it had the nucleus of an interesting show,\u201d he says. \u201cMy thought was about issues with the surreal, more built around some of the artists in this [UNCANNY] show. I drew it off Micah\u2019s vision of the uncanny. In the class I had introduced her to the work of Loretta Lux, for example. I never would have been able to think the way Micah did. In the 30 something years I have done this, maybe twice I collaborated with someone on curating a show, but never before with a student. It showed the possibility of what can happen in the class. I was very excited by that fact.\u201d<\/p>\n<figure id=\"attachment_83930\" aria-describedby=\"caption-attachment-83930\" style=\"width: 150px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-Waring.jpg\"><img decoding=\"async\" class=\"size-full wp-image-83930 img-responsive lazyload\" data-src=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-Waring.jpg\" alt=\"Uncanny: 'Self Portrait As My Mother, Jean Gregory,' Gillian Wearing, 2003\" width=\"150\" height=\"239\" data-srcset=\"https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-Waring.jpg 315w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-Waring-189x300.jpg 189w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-Waring-264x420.jpg 264w, https:\/\/today.uconn.edu\/wp-content\/uploads\/2013\/09\/Uncanny-Waring-63x100.jpg 63w\" data-sizes=\"(max-width: 150px) 100vw, 150px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 150px; --smush-placeholder-aspect-ratio: 150\/239;\" \/><\/a><figcaption id=\"caption-attachment-83930\" class=\"wp-caption-text\">Uncanny: &#8216;Self Portrait As My Mother, Jean Gregory,&#8217; Gillian Wearing, 2003<\/figcaption><\/figure>\n<p>Rosenberg asked Sizemore to work with him on what would be this year\u2019s opening exhibition for the Contemporary Art Galleries. \u201cUNCANNY\u201d includes works by photographer Angela Strassheim, painter Gillian Wearing, photographer Quentin Shih, sculptor Tony Matelli, painter Loretta Lux, and photographer Gregory Crewdson, among others.<\/p>\n<p>\u201cMy experience with curating was theoretical at that point,\u201d says Sizemore. \u201cBarry had the connections to find works that I wasn\u2019t able to find, which was important in pulling together [the exhibition] We discussed how closely a work would fit in with the Freudian ideas that anchored the exhibition. I kept my eyes open on my own exploration, and I was able to find a few more artists like Angela Strassheim and Rebecca Martinez.\u201d<\/p>\n<p>Sizemore wrote the introductory panel for the exhibition that hangs in the first room of the CAG, which informs gallery visitors about the concepts behind the organization of the art they are about to view. \u201cAll of the works in this exhibition create the sensation of something that is almost real, almost alive \u2013 but not quite,\u201d she writes. \u201cThe uncanny lies in that narrow margin between what is real and what cannot be.\u201d<\/p>\n<p>Perhaps fittingly, while Rosenberg says he was thinking about surrealism in his ideas for the new exhibition, that concept is how Sizemore describes her experience in seeing her idea for a final project now hanging on the walls of the gallery.<\/p>\n<p>\u201cIt\u2019s surreal. I\u2019m looking at it as a real highlight of my time at UConn, working on something that would actually be on a gallery wall,\u201d she says. I\u2019m looking forward to coming back to Storrs for the closing reception and talking about it. It\u2019s weird, but it\u2019s fun.\u201d<\/p>\n<p><i>\u201cUNCANNY\u201d continues through Oct. 21 in the Contemporary Art Galleries, 830 Bolton Road, Storrs. There will be a symposium \u201cPerspectives in the Uncanny in Art, Literature, and Psychoanalysis\u201d in the Art Building on Oct. 21, beginning at 4 p.m., followed by a reception.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A multimedia exhibition focusing on the surreal is co-curated by the Contemporary Art Galleries director and a former graduate student.<\/p>\n","protected":false},"author":18,"featured_media":83974,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":"","wds_primary_category":0,"wds_primary_series":0,"wds_primary_attribution":0,"footnotes":""},"categories":[1711,2459,2076,1914],"tags":[],"magazine-issues":[],"coauthors":[55],"class_list":["post-83985","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts-culture","category-graduate-students","category-research","category-sfa"],"pp_statuses_selecting_workflow":false,"pp_workflow_action":"current","pp_status_selection":"publish","acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-04-23 06:18:14","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/posts\/83985","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/comments?post=83985"}],"version-history":[{"count":6,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/posts\/83985\/revisions"}],"predecessor-version":[{"id":104916,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/posts\/83985\/revisions\/104916"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/media\/83974"}],"wp:attachment":[{"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/media?parent=83985"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/categories?post=83985"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/tags?post=83985"},{"taxonomy":"magazine-issue","embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/magazine-issues?post=83985"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/today.uconn.edu\/wp-rest\/wp\/v2\/coauthors?post=83985"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}